StudioTech TV

Helping create great internet video

New studio – The fun bit!

Building work on the new Studio finished on 24 June 2011 at 15:05! A few days later the lighting grid was in place and we were ready to start the fun bit, installing the equipment.

The first lighting installation was the starting point. This is not even half of what we are planning to install, luckily the grid will take a lot of weight. The initial lighting consists of: 6 DMX controlled LED PAR lights are to provide colour accenting to the sets, 2 compact fluorescent Flolight 220s and a Photon Beard Highlight 120 will provide Key and Fill lighting, with a Flolight LED 500 as a back light.

The control desk will also double as a ‘set’ for some videos. Where possible we are installing equipment into the 19″ rack. So far: DMX lighting controller, PC 1 (of 2), Blackmagic ATEM 1 switcher, Cyberpower UPS. Leaving room for amplifier, scalers and more.

The Behringer sound mixer will be replaced by a Presonus 16.4.2 shortly.

There will be three main sets – The Bar, the desk and a green screen.

Cameras will be mounted on aluminium tube dropped from the lighting grid, with Manfrotto superclamps and mounts to enable rapid repositioning as required. We are starting with 4 Canon cameras – 1 XA10 and 3 HF G10s, and a small Sony HD cameras to be mounted on a pan/tilt head on the grid for deskshots.

A couple of people have asked why in posts I frequently say ‘we’ are doing this or that when all they see is me. Well there are several people involved in TTFN TV and to ignore them would be rude! These include Peter, our occasional producer, who can be seen in a couple of the shots above.

‘The Bar’ complete with stools:

Have shot some ‘quick and dirty’ video of the setup  and hope to get this on the website shortly.

We expect to start using the studio on a regular basis from early August.

Mark

5 comments
Knut

Are you abanding the Wirecast solution?

    Mark

    Hi Knut,

    no we are not abandoning Wirecast, we will just be using it differently.

    We will feed the output of the ATEM 1 into Wirecast and use Wirecast to record and stream, and perhaps add some overlaid graphics. We needed more inputs and it was cheaper to buy an ATEM 1 than to buy additional 4 port SDI PCIe cards for the Mac Pro. It also gives us more flexibility. But there are downsides, for example all your inputs need to be the same format and PIP is easier in Wirecast.

    Would still recommend Wirecast for a 1, 2 or 3 camera solution.

    Mark

Dennis Howlett

Hi Mark – that’s looking really good. Will you at some stage provide a studio kit inventory? That would be really helpful.

TWIT did that via a wiki they keep fresh. Very useful for those of us learning as we go.